“Valkyrie” (Tom Cruise, Kenneth Branagh, Tom Wilkinson)
In “Tropic Thunder,” he did the unthinkable: resurrected an air-sucking, headed-toward-the-light acting career. Does he do it again in “Valkyrie,” Brian Singer’s tense, understated thriller about a failed 1944 plot to assassinate Adolf Hitler, seize control of Germany and wave a white flag to the Allies? Not quite. Then again, Cruise’s in-control performance as party loyalist-turned-traitorous schemer Col. Claus von Stauffenberg isn’t meant for show. Neither is Singer’s somber, commendably even-handed creation . Every scene is measured and precise, planned and executed with military-like precision. The same goes for the film’s best performances — Wilkinson’s buttoned-up, duplicitious Gen. Friedrich Fromm is bone-chilling, while Branagh practically sweats sheer desperation. If it all seems a little too muted and by-the-book, beware: the tension surprises you, and so does “Valkyrie.”
“Yes Man” (Jim Carrey, Zooey Deschanel, Terence Stamp)
A movie about a man who says “yes” to every question? Sounds like the makings of a) Eddie Murphy’s moronical, pratfall-heavy next project or b) a tender, smartly observed comedy about life and learning. Wrong. But either movie might be better than the disappointingly blah “Yes Man.” Carrey tries hard as Danny, a sourpuss who keeps life at bay until a self-help guru (Terence Stamp) convinces him to open up. Enter the ever-quirky Deschanel as Allison, Danny’s polar-opposite love interest. Shock of shocks, Deschanel and Carrey have a delightfully peppery chemistry. And Carrey has a zippy rapport with Brit Rhys Darby, who plays Norman, his adorably zany dolt of a boss (think Michael Scott a la “The Office”). But don’t expect the same kind of zing from “Yes Man,” which tries so hard to be ingratiating and cute that it’s about as sincere as, well, a real-life yes man.