Back in Underland after a 13-year absence, Alice (Mia Wasikowska) finds herself lost and certain she’s the wrong Alice. The Mad Hatter (Johnny Depp) is just as certain she’s the right one, but there’s a catch. “You used to be much more … ‘muchier.’ You’ve lost your muchness,” Hatter laments. Alice has lost her groove, poor lass, and he’ll stop at nothing — including the use of frequent accent switches — to help her find it.
This is what Tim Burton’s long-anticipated and fluorescent-hued film amounts to: a 109-minute quest to find Alice’s muchness, the very same muchness a corset-filled life in London has chased away. As a visual experience, “Alice in Wonderland” proves a feast for the eyes, a smörgåsbord of vibrant colors and landscapes, delightful costumes (the Red Queen’s make-up and the mushrooms alone are amazing). Give in to the 3D pull if you must, but this film is meant to be seen the way it was filmed: in 2D. As a movie, though, there’s a lack of emotional depth and character development that make it difficult to connect the “wow” we see with our eyes to any real sense of heartfelt wonderment. And seeing the magic and feeling it — the way we do in, say, “Avatar” — are two very different things.
The saving graces, however, come in the form of the characters, many of which are so vibrant and unforgettable they detract from the film’s shortcomings. (Stephen Fry’s Cheshire Cat could induce a smattering of night terrors, for example, as could Helena Bonham Carter’s strangely touching Red Queen.) Screenwriter Linda Woolverton takes liberties with Lewis Carroll’s tale; some are successful and some are not. “Alice in Wonderland” begins in London, where Alice is set to marry an uppity, blockheaded lord (Tim Pigott-Smith). Underland is no longer in her thoughts, and life has become gray since her father’s (Martin Csokas) death. Now Alice must weather a marriage proposal in front of people she hates wearing no stockings and no corset (she believes in neither). In gallops the White Rabbit (Michael Sheen) to lead her down the rabbit hole, where everyone, from Tweedledee and Tweedledum (Matt Lucas) to that wise old toker* the Blue Caterpillar (Alan Rickman), insists she can’t be the Alice of 13 years past. They waste pages of dialogue arguing about this. They don’t reach a conclusion, not until the Mad Hatter sets them right. She is Alice, she will save them from the Red Queen (Bonham Carter) and the lovely, magnanimous White Queen (Anne Hathaway) will take back her throne.
The lead-up to the Big Battle — a crushing disappointment of a CGI-coated finale where the seams show through — proves to be somewhat tedious and rushed. Writing is a weak point in “Alice in Wonderland,” with Woolverton providing little development on the best characters and Burton spotlighting the weakest ones. The Mad Hatter acts like a narrator/historian, but he’s a mystery to us. Maybe he’s written as an all-over-the-map chap or maybe that’s just how Depp plays him; either way, it doesn’t work. He’s an annoying kook, not a lovable one. The Knave of Hearts (Crispin Glover) is a rather uninteresting villain who gets loads of screentime, whereas Fry’s ominous Cheshire Cat and Rickman’s droll caterpillar are reduced to a few scenes.
Not everyone fairs so badly. Hathaway’s bright smile and chirpy manner hints that the White Queen isn’t so different from her evil sister, only more restrained. Wasikowska gives Alice some gumption, a kind of uncertain, coltish beauty and spirit that illustrate the painful tug between youth and adulthood. And yet the true, unadulterated star of “Alice in Wonderland” is Burton favorite Helena Bonham Carter, who’s simply smashing as the freakish, self-conscious Red Queen. She is a woman who insulates herself with a throng of mindless nodders, people who don fake noses and bellies and ears to offset the queen’s oversized head. She’s quick to anger and still there’s a softness in her for the outsiders, although her sad, lonely life has taught her that “it is far better to be feared than loved.” She gets at our hearts in ways the film she’s in simply cannot.
*Don’t kid yourself. He’s a pothead.
Filed under: New Stuff, Reviews Tagged: | Alan Rickman, Alice in Wonderland, Anne Hathaway, Crispin Glover, Helena Bonham Carter, Johnny Depp, Lewis Carroll, Linda Woolverton, Martin Csokas, Matt Lucas, Mia Wasikowska, Michael Sheen, Stephen Fry, Tim Burton